5 Best Canon Lenses for Landscape Photography (2020)

Landscape photography is perhaps the most challenging yet most exciting experience. For a decent landscape photograph, you will need a lens with a wide-angle. But that’s not all. Camera lenses are prone to so many different issues — a chromatic aberration, lens flares, hosting, overexposure, to name a few.

However, there are some lenses from Canon that work excellent for landscape photography. We compiled a list of these top lenses. Take a look for yourself at the best Canon lenses for landscape photography, and pick out your favorite lens.

We Recommend

Best ultra wide

Canon TS-E 24mm
f/3.5L Tilt-Shift Lens

Best zoom option

Canon EF 70-200mm
f/2.8L IS III USM Lens

Best crop sensor (EF-S)

Canon EF-S 18-135
f/3.5-5.6 USM Lens

Type of landscape lenses

There are a ton of different types of lenses that are suited for landscape shooting. These are just a few of them:

Wide Angle: A wide-angle lens can “see more” as compared to a regular lens. These lenses provide a wider peripheral and can capture the true beauty of the landscape. A wide-angle lens can also be used with various filters on top, to refine the final image further.

Fixed (Prime): A prime lens is a special type of fixed lens, typically with a max aperture between 2.8 and 1.2. A fixed prime lens is the exact opposite of a zoom lens. That is, the focal length of the lenses cannot be adjusted according to the zoom. It’s great to add a bokeh effect to your photos.

Telephoto and Zoom: A telephoto lens has a longer focal length than its physical length. This creates a rather interesting perspective with an excellent zoom. These lenses usually have an adaptive focal length that changes with the zoom level. This gives a more natural zoom, but these lenses are quite heavy too.

Macro: A macro lens is essentially designed to take pictures of very small subjects at very close distances. However, there are some that come optimized for landscape photography as well. These lenses provide the highest magnification and are great for shooting from a distance.

What is the best focal length for landscape photography?

Focal lengths of landscape lenses vary largely, even within a certain price range. The focal lengths usually range from 12 mm to about 24 mm. Many lenses have an adjustable focal length, which automatically adapts depending on the zoom level.

To be more specific, wide-angle lenses have a focal length ranging from 20 to 24 mm. And the ultra-wide ones use a focal length between 12 and 14 mm. The smaller the focal length, the wider the peripheral vision of the lens.

Normally, high-quality landscape lenses tend to have a very wide-angle frame, normally below 24 mm. The focal length is essential in that it decides how sharp and clear your images will be. A wider lens with a higher zoom level can even give an almost panorama-like shot.
Telephoto lenses usually have very high focal lengths, usually wider than 50 mm. This makes for a pretty narrow peripheral but a better zoom level.

For landscape photography, remember one rule – the smaller the focal length, the wider the image. This is essential for deciding how wide you want the image to be. Telephoto lenses are also good as they create a portrait of a specific spot with a very high zoom. But for the traditional wide-angle, we don’t recommend telephoto lenses.

Should you buy EF or EF-S?

You’ll normally find two categories of Canon lens, EF and EF-S. Simply put, a Canon EF lens is designed to better work for full-frame cameras. This also includes many APSC DSLR cameras manufactured by Canon.

EF-S cameras, however, are better designed for just APSC DSLRs. These work with the smaller sensors on the APSC cameras. Using an EF-S on a full-frame camera may result in a very heavy vignetting effect.

Ideally, EF-S camera lenses are not only affordable but also lighter and more portable. However, they will produce some vignetting at a wider angle when used with full-frame cameras. Our suggestion is to use one that fits your needs. A full-frame lens will be best if you have a full-frame camera, but it can be used on APSC DSLRs as well.

Don’t be scared to upgrade to a full-frame camera, though. Good EF-S lenses retain their resale value even years later. Just buy your preferred lens as soon as possible. It won’t cost you much in the long run. They’re super affordable and high compatible with many Canon DSLRs.

The landscape lens price timeline

Bargain up to – $250 – WIthin this budget, you are pretty unlikely to find a quality lens. However, many EF-S lenses can be found. They won’t have all the necessary features, such as autofocus and the like. But that’s all you can get within the given budget.

Budget $250-$500 – Some lenses, those in the $300 range, have amazing features. A lens in this range offers wide-angle capacity. And many come in the form of kits as well. You can expect to find a focal length between 1.4 and 4.5.

Mid-range $500-$1000 – This is the optimal range for Canon lenses. Lenses in this price range are great for DSLRs and have all the greatest features. You can easily find a good wide-angle lens between 114 to 122 degrees under $1000.

Advanced $1000-$1500 – A budget this high means you’re reducing your risks of getting scammed. Lenses in this range come with all the features. You’ll get the aspherical lens, minimum focus distance under a foot, fluorine coating, with a fixed f/2.8 aperture and weather-resistant features.

Professional $1500+ – A higher price range is mostly redundant. These lenses are for professionals, such as cinematographers, camera crews, and advanced photographers.

How to choose the right landscape lens?

Lens correction – A lens correction helps to reduce imperfections present in a camera image. It can occur due to any of the following problems such as chromatic aberration, distortion, and vignetting. Vignetting can be fixed by finding a lens that fits your camera. The others need special software to resolve them.

Ultra-wide – Ultra-wide lenses, in the 12 to 14 mm focal length range, are best for shooting wider shots. They give an almost panoramic photo.

Low-light performance – Not having the right lens for the low light performance would distort the image quality. Any aperture value between f/1.8 to f/5.6 would be great for low light performance.

Aperture – A wide aperture will let more light in. The more light goes into the lens, the chance of taking a well-exposed photo gets high. For constant apertures, anywhere between 2 and 3 mm is best. Adjustable apertures can have any range below 5.

Autofocus speed – The autofocus speed affects how fast you can capture an image, and how your camera adapts to the zoom level. USM AF is the best for Canon.

Vibration reduction – Most Canon lenses use Optical Image Stabilization. This reduces the camera shake and makes for a smoother videography experience. These are helpful when you’re taking images while standing on unstable ground, or you don’t have a tripod. 

Weather sealed – The lens you buy should be 100% sealed with no cracks or seams. It should also be water and dust resistant. The water seals make sure that your lens won’t get damaged and you can take distortion-free photos. 

Weight – For landscape photographers, any lens with less weight is useful because they have to hike through different landscapes and carry a lot of other things than a camera. Any weight between 250g to 400g is good enough to take with you. Experts don’t recommend carrying a lens with a weight of over 1000g.

Best canon lens for landscape photography

1. Canon EF-S 18-135mm f/3.5-5.6 USM Lens

Looking for a camera lens that has something new to offer? Then you’re in luck. This Canon 18-135mm lens has a lot to offer. 

It uses high tech NANU USM technology to capture silent videos at the fastest rate.
Equipped with ring USM and some STM features, it uses a diminutive ultrasonic motor which delivers a higher speed

This camera lens is best known for its smooth shooting modes and precise operation. 

The Canon EF-S is recommended for all types of activities, including creative videography, wildlife, and landscape photography.

It’s a great all-around lens, especially for its compatibility with the all-new Power Zoom Adapter. This provides a more natural-looking zoom while filming.

Check the price of Canon EF-S 18-135mm f/3.5-5.6 USM Lens here

Matching Camera Body: Canon 90D Digital SLR Camera

What we liked

  • Compatible with Power Zoom Adapter
  • Faster autofocus
  • Reduces camera shake
  • High-speed autofocus
  • Smooth and precise recording
  • Near-silent filming
  • Works with every creative work

What we didn’t like

  • Image quality is lower at higher focus ranges
  • Poor low light performance

Compatible Format: EF-S
Aperture: 5.6-3.5
Minimum Focus Distance: 1.28 ft
Focal length: 18-135 mm
Stabilization: Dynamic IS
Dimensions: 3.1×3.8 inches
Weight: 18.2 ounces
Autofocus: AF, full-time manual

2. Canon EF 24mm f/1.4L II USM Wide Angle Lens

Experience unprecedented precision with this EF Canon Lens. With the lens, you get USM technology

For those of you who don’t know. USM is a special new technology that allows for added precision and smoothness while shooting. 

This is a wide-angle Canon lens, which means it has an 84-degree angle of view. And it also includes two UD lenses that help eliminate chromatic aberration. 

This means that you can zoom in without worrying about losing picture quality.

Furthermore, the UD lens minimizes the chromatic abbreviations that mean you can manually override high-speed AF. The legendary construction of Canon allows you to enjoy a dust-free and water-resistant lens.

Check the price of Canon EF 24mm f/1.4L II USM Wide Angle Lens here

Matching camera body: Canon EOS 5D Mark IV Full Frame Digital SLR

What we liked

  • Removes chromatic aberration
  • Wide viewing angle
  • Retains picture quality
  • High precision filmmaking
  • It can be used extensively for videography
  • Great Auto Focus
  • Reduces lens flare and ghosting

What we didn’t like

  • A sharpness around corners is weak
  • Occasional operator errors

Compatible Format: EF
Aperture: 1.4
Minimum Focus Distance: 0.8 ft
Focal length: 24 mm
Stabilization: Dynamic IS
Dimensions: 3.43 x 3.7 x 3.7 in
Weight: 1.43 pounds
Autofocus: Ring-type ultrasonic

3. Canon EF 70-200mm f/2.8L IS III USM Lens

The Canon EF 70-200mm lens is yet another USM lens that has excellent performance, even in the bright sun. 

Buy this lens if you want a smoother and more powerful daytime experience. This lens uses Air Sphere Coating to minimize lens flare and ghosting.

With this Canon lens, you also get the added benefit of Optical Image Stabilization

This helps to reduce camera shake and make the video as consistent as possible. 

And don’t worry about the image quality. Because inside this lens are five UD elements and a single fluoride element. All of these work together to give you the sharpest image, even around the corners.

Although the weight of this lens is on the heavy side as compared to the other models in this list, you can manage to shoot for several hours without getting tired.

Check the price of Canon EF 70-200mm f/2.8L IS III USM Lens here

Matching camera body: Canon EOS 5D Mark IV Full Frame Digital SLR

What we liked

  • Removes chromatic aberration
  • Sharpness is excellent
  • Reduces camera shaking
  • Images are of high resolution
  • Perfect for sunny shoots
  • Adjustable aperture
  • Dust and waterproof

What we didn’t like

  • Heavier than other lenses
  • Low light performance could be better

Compatible Format: EF
Aperture: 2.8
Minimum Focus Distance: 3.94 ft
Focal length: 70-200mm
Stabilization: Optical IS
Dimensions: 3.5 x 7.8 inches
Weight: 1.43 pounds
Autofocus: Ring-type ultrasonic

4. Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens

Here’s another Canon lens that might interest you. What’s different about this one is that it’s a TS-E lens with a high-performance wide-angle zoom

It’s a constant aperture lens, which means you can adjust the aperture. The lens elements provide high precision for an amazing tilt-shift range.

This Canon lens makes use of aspherical lens elements to minimize the effects of chromatic aberration. 

This product also features a circular aperture for some creative highlights. You can play around with this lens and experiment with the various features. It’s great for creative videography and filmmaking.

The revolving construction allows you to take advantage of both landscape and portrait shooting modes. Moreover, the SWC coating on the lens controls the flare and ghosting in a better way than other technologies.

Check the price of Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens here

Matching camera body: Canon EOS R Mirrorless Camera Body

What we liked

  • Aperture is fixed
  • Circular aperture feature
  • Best for creative shooting
  • Aspherical lens elements
  • Ultra wide-angle lens
  • Minimal lens flares
  • Compatible with most Canon EOS cameras

What we didn’t like

  • Physically heavy
  • Knob placements are slightly uneconomical

Compatible Format: TS-E
Aperture: 3.5 mm
Minimum Focus Distance: 0.69 ft
Focal length: 24 mm
Stabilization: Optical IS
Dimensions: 4.17 x 3.5 x 3.5 in
Weight: 1.74 lbs
Autofocus: Ring-type ultrasonic

5. Canon EF 16–35mm f/2.8L III USM Lens

Finally, we have the Canon EF 16-35mm lens. This is a USM lens with a constant aperture width. It works similarly to the others, except it’s a great resource for achieving extra sharp images. 

The all-new optical construction generates a phenomenal amount of sharpness even around the edges.

Equipped with SWC and ASC, this lens is great for battling chromatic aberration, lens flares, and ghosting. 

And is extremely apt at resisting water damage. This makes it the perfect lens for shooting in harsh weather.

With its 9-blade circular aperture, you can take images with a soft background while zooming. This lens will take your photography to the next level. As a professional photographer, you can rely on it to take both indoor images and outdoor landscape shots.

Check the price of Canon EF 16–35mm f/2.8L III USM Lens here

Matching camera body: Canon EOS Rebel SL2 DSLR

What we liked

  • Ultra-wide camera angle
  • SWC and ASC coated lens
  • 9 blade aperture
  • Reduces aberration and lens flare
  • Dust and water-resistant
  • Bright and constant aperture
  • Great for sunny shoots

What we didn’t like

  • Too big for handheld photography
  • Higher price tag

Compatible Format: EF
Aperture: 2.8 mm
Minimum Focus Distance: 0.92 ft
Focal length: 16-35 mm
Stabilization: Dynamic IS
Dimensions: 5 x 3.5 x 3.5 in
Weight: 1.74 lbs
Autofocus: Ring-type ultrasonic

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